Nora Philippe is an award-winning documentary filmmaker, producer, curator, and head of EURODOC, an international training programme for producers. She has directed: Restitution? Africa’s Fight for its Art (2022); Like Dolls, I’ll Rise (2018); Job Center, Please Hang On (2014); and The Ensorcery of James Ensor (2011). She curated the widely critically-acclaimed Black Dolls exhibition at La maison rouge in Paris in 2018, and Stitch & Repairs at Cité internationale des arts (2021). As a writer, she co-edited A Black Doll Like Me (2018), Inventing Ancient Greek Painting (2012), and is the author of Dear Job Center (2015). She is an alumna of the Columbia Institute for Ideas and Imagination (2019), a graduate of Ecole normale supérieure (2006), and has sat on a variety of professional committees and festival juries, including IDFA, RIDM, CPH:DOX, FIFDH, CNC, and LaScam. She is a voting member of the European Film Academy.