14-24 nov 2024
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Sobre horas extras y trabajo voluntario

Sobre horas extras y trabajo voluntario

Extra hours and voluntary work
Sara Gómez
Cuba
1973
9 min
Spotlight on Cuba
Spotlight on Cuba
Synopsis

A critical short film in black and white about the Cuban policy of unpaid overtime and “voluntary work” as part of plans for economic growth. At the 13th congress of the CTC, the Cuban state trade union movement, in 1973, workers from the textile industry question the value and necessity of this extra work.

Male and female speakers are playfully edited together with a voice-over and captions, and revolutionary rhetoric is interrupted by critical notes about “the vice of unnecessary overtime,” sometimes to comic effect—as when praise for the virtue of voluntary work is followed by the word PERO... (BUT...) filling the screen. A worker calmly describes how she was sent to the same field three times as a volunteer to move the same stones—each time to a different place.

This not only creates an ironic frame for propaganda footage of communist leaders Fidel Castro, Che Guevara and Ho Chi Minh rolling up their sleeves among the workers, but also brings to mind the comparable pressure to put in unpaid overtime in today’s capitalist world.

Sobre horas extras y trabajo voluntario was digitally restored by Vulnerable Media Lab as part of the Sara Gómez Project.

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Credits
9 min
black and white
DCP
Spoken languages: Spanish
Director
    Sara Gómez
    Sara Gómez
Screenplay
    Sara Gómez
    Sara Gómez
Production
    ICAIC,
    Guillermo García
    ICAIC,
    Guillermo García
Cinematography
    José M. Riera
    José M. Riera
Sound
    José Borrés
    José Borrés
Sound Design
    Germinal Hernández
    Germinal Hernández
Editing
    Iván Arocha
    Iván Arocha
Narrator
    Barbara Hernández,
    Tony González
    Barbara Hernández,
    Tony González
Distribution
    ICAIC
    ICAIC
Screening copy
    Vulnerable Media Lab
    Vulnerable Media Lab

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Spotlight on Cuba revisits the complex political history of Cuba. With a retrospective of the pioneering Afro-Cuban filmmaker Sara Gómez, next to a special curation of films made by students of the EICTV, the program will explore the paradoxes of our perception of Cuba as both revolutionary utopia and dystopia.
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