An unforgettable time capsule of the “Fight of the Century” between Muhammad Ali and Joe Frazier. The first half focuses on the huge hype, while the second shows the entire fight. As if you’re there at the ringside.

Writers, artists, and performers from Africa and the African diaspora came together in Dakar for the first time in 1966 to celebrate the diversity of Black art. This official film of the festival is both a historical document and an expression of Black consciousness.

This fascinating piece of cinema verité from 1969, which remains entirely relevant today, captures a training session in which white supervisors and unemployed Black men attempt to better understand each other through role-play and reenacted situations.

This posthumous masterpiece by William Greaves, completed by his son David, captures a unique gathering at Duke Ellington’s home in 1972. It is a rare privilege to be present as the surviving icons of the Harlem Renaissance converse, laugh, and reminisce.

A compelling portrait of US politician Ralph Bunche (1903–1971), the first Black Nobel laureate. He fought racial inequality and colonialism and played an influential role at pivotal moments in history.

In 1968, William Greaves explores the world of a Black middle class navigating between the white dream of success and the rise of Black Power. Confrontation with racism remains an inescapable reality.

The camera films the screen tests of actors, while a second camera also records the director, and a third films the whole thing. Like the audience, the crew is caught in a no-man's land between fiction and non-fiction, accompanied by a jazz soundtrack.