13-24 nov 2024
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The First Year

The First Year

El primer año
Patricio Guzmán
Chile
1972
90 min
Dutch Premiere
Focus: 16 Worlds on 16
Synopsis

In 1970, Salvador Allende came to power in Chile as the first socialist president. In his first year in office, Patricio Guzmán films the consequences of this political earthquake and its impact on the population. Allende nationalizes the mines in defiance of their very wealthy owners; his supporters are delighted, but the stock market plummets and the wealthy upper class leaves the country.

Guzmán takes to the road for his first feature-length documentary: interviewing original owners who demand their land back, and miners, fishermen and factory workers who talk forthrightly about their working conditions, and shows the renewed hope for a better life.

The First Year was the first part in a trilogy (with October’s Response and The Battle of Chile) about Allende’s government, ending with the 1973 coup. Guzmán shot the film on a very modest budget, on 16mm without synchronous sound. His unique recordings shot from close by reach a climax with footage of the visit of the Cuban leader Fidel Castro, whom we see casually chatting, and of the enthusiastic reactions of the Chileans who flock to see him.

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Credits
90 min
black and white
DCP
Spoken languages: Spanish
Director
    Patricio Guzmán
    Patricio Guzmán
Cinematography
    Antonio Ríos
    Antonio Ríos
Editing
    Carlos Piaggio
    Carlos Piaggio
Screenplay
    Patricio Guzmán
    Patricio Guzmán
World Sales
    Pyramide International
    Pyramide International
Screening copy
    Pyramide International
    Pyramide International
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Reflecting on 100 years of 16mm since Kodak introduced this film format, this focus program explores how the history of documentary film has been influenced as a result. The selection includes classics from cinema verité such as Daguerréotypes by Agnès Varda and Salesman by the Maysels, as well as examples of films that wrap their criticism of authorities in metaphors due to censorship, as in "First Case, Second Case" where Abbas Kiarostami examines revolutionary thought
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